Recording something in slow-motion makes normal moving subjects look cool, but if you place that same camera at an interesting subject in motion the results are freakin' AWESOME.
The 1966 Ford GT40 is not like most cars. Sure, its got headlights, air conditioning, and a key, but that's not my point.
Like you need a reminder... (psh) Anyone who says otherwise is just plain lying.
Some of you may remember a different Z4M I posted a few weeks ago, which tiptoed a thin line between track tool and street mule. The pictured Z4M takes the track treatment to the next level, with a big dose of precision.